Dear 'very old' friend Michael, once again a moving poetic prose has rolled out of your pen. While reading it felt like sitting next to you and Rita on that bench under that unique tree. Thank you, it was great to join you there. Travel on and write on! Alfonso.
The other night I was invited to a so-called Full Moon Party in the center of Paris. The host was a guy Rita and I met, when we, a couple of years ago, stayed on his houseboat a bit up the Seine. He arranges these casual parties at the middle of the Pont des Arts and he has done so, come rain or come moonshine, every month for the last many years. As I approached the iconic bridge, now mercifully devoid of its plague of "love locks," I was greeted by a cacophony of excited chatter in a United Nations potpourri of accents. French people as well as expats from many corners of the globe mingled freely, their laughter and chatter forming a symphony of human connection that was actually quite infectious. As I accepted a glass of wine from a beaming Spanish astrophysics student, I pondered the curious phenomenon before me. Here we were, a motley crew of strangers, united by nothing more than our shared presence in this city and our willingness to gaze skyward toge...
The other day I walked the streets of the edgy, regenerated Villette area of Paris, and here, on one of its busy streets, I stumbled upon what seemed like a portal opening into another time. Entering through an unassuming gate, and going down a narrow, semi-private alley, I was transported from the frenetic present into a hidden, quiet garden that turned out to be the garden of the Saint-Serge de Radonège Russian Orthodox Church. Photo: SortirAParis Before me unfolded a scene that could have been plucked from a 19th-century Russian novel: Long-bearded orthodox priests wearing flowing black robes and cylindrical kamilávka hats, moved unhurriedly among the flowerbeds, and a group of elderly parishioners sat in the garden, on rickety chairs, chatting in a melodic blend of Russian and French. The abrupt transition from bustling street to tranquil sanctuary was so jarring that I half-expected to find my smartphone transfor...
Walking into the massive Boros bunker in Berlin's Mitte is like walking into an ancient, alien tomb. This forbidding concrete monolith, built by the Nazis in 1942, is now the home of an eccentric private art collection. Inside the building's almost anthill-like network of underground corridors and crypts, numerous swirling shapes and colors spark the walls into lurid illuminations. A flood of phantasmagoric images washes over the senses - kinetic sculptures twisting with reptilian menace, multimedia installations flickering with layered meanings. Each new room opens like a portal into a new creative artistic mind - and the story about the building is as exciting as the art which is displayed inside it. During the war, the bunker sheltered several thousand civilians from the massive, nightly bombings that hit Berlin. In 1945 the Red Army repurposed the building for prisoners of war and it later became an East German warehouse. After the wall tumble...
What a beautiful reminiscence. I'm so glad you were able to find it and learn about these connections. Thank you for sharing. ♥️ Jackie
ReplyDeleteDear 'very old' friend Michael, once again a moving poetic prose has rolled out of your pen. While reading it felt like sitting next to you and Rita on that bench under that unique tree. Thank you, it was great to join you there. Travel on and write on! Alfonso.
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